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MASTER CLASS
| Theme | |
| ◆Geneve Conservatory (1998) | style |
| ◆Paris (private) (2000) | style, reed |
| ◆Lyon Conservatory
(1992) |
style |
| ◆Lyon Conservatory (2000) | reed |
| ◆Oslo Conservatory (1987) | style, reed |
| ◆Sweelinck Conservatorium (1981) | reed |
| ◆Aulnay Conservatory (France,Paris) (2002) | all-round |
| ◆Minnesota State University (2002) | style, reed |
| ◆Tokyo Shibuya (2002) | no.4,6 theme (see below) |
 |
 |
MASTER CLASS THEME
|
1
|
New
technique on reed making
|
|
|
2
|
Single
tonguing ( speed, attack )
|
|
|
3
|
Resonance
|
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|
4
|
Control
on 3rd and 4th octave
|
|
|
5
|
Big
dynamics in the entire register
|
|
|
6
|
Choice
of fingering in solo and orchestra literature
|
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|
7
|
Reed
making ( basic idea on modern, classical, baroque bassoon )
|
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8
|
Psychological
approach for woodwinds
|
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9
|
Homogeneity
of the sonority
|
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10
|
Vibrato
on woodwinds
|
